October 2003 Archives
o. "speed graphic" by Ben Folds
I got this awhile ago, but I have been busy. Anyway, this is one of the three EP albums he is releasing this year (?). All the album titles are related to photography (apparently, Ben recently got into it).
This has five new tracks, although I've heard that one or two were from his old demo tapes. I still love his music and piano playing. I still want to play like him and hope to, one day, play my own music on the piano, just like him. :p
His arrangements seem to have softened a bit. I listen to BFF's earlier albums quite often, and you can definitely tell the difference. Maybe it's the time, or maybe it's the make-ups (or the identities) of the collection of musicians participating (I miss Darren Jessee). But still it's fun to listen to.
o. 1st album by Yukgaksu Band
I was looking for a rock "band" album, and this one caught my eyes. The name sounded familiar. It turns out that this is a band led by CHO Sung Hwan (BTW, whose name is the same as my father) who used to belong to a duet called Yukgaksu (they won some contest long time ago, I think).
Overall, their music is not too bad. Their music is based on rock (classic?), but their lyrics and attitude are light-hearted. Their title track, AJeoSsi 1st ver., is rather pretty good.
The only thing is that the most of the music was not written by the band members, but by JEONG HongCheol who produced the album (and the old duet's only hit number which is also re-recorded on this one). I wonder why he is not in the band...
Anyway, they are CHO Sung Hwan (vocal), KWON Jun Taek (guitars), YUN Jin Young (drums), and PARK Jong Bae (bass).
o. "3rd PHASE" by PiA
Well, my memory is getting weak... I am sure I've heard many times, but I forgot that this is a band produced by Seotaiji. And they are continuing the genre that he was last seen.
The style, arrangement, and everything else seem to be done by the executive producer, as if nothing in this world has changed for the past 8 years or so... I am not saying they are bad musicians. It's just that... futile (?)...
Anyway, they are YoHan (vocal), HeolLaeng (guitars), GiBeom (bass), SimJi (FX), and HyeSeung (drums).
o. "humming street" by sweater
This is their second album, although I completely missed their first. This is the closest I have seen to Roller Coaster as far as the music style. Compared to Roller Coaster, sweater seems a bit lacking in funk, though.
They are SHIN SeCheol (drums, percussions, programming, background vocals), YI ARip (vocals, background vocals), IM YeJin (synth, piano, programming, background vocals), and SHIN JiHyeon (bass, background vocals).
As you can see they are made up mostly with females. The only male in the group, Mr. Shin, has a name that reminds me of a certain Korean rock family. Maybe, he's related...
I liked them quite a bit. They are not Roller Coaster. (BTW, is the lousy live performance on the live album the reason they don't seem to be, mildly put, active these days?) I wouldn't say one would fall for the whole album, but there seem to be enough tracks that will keep one entertained.
o. "Indie Power 2003" by various artists
I believe this is the fifth volume. From the way the information sheet was designed, I'd say the budget for this project has been more limited than before. This series is a set of compilation albums that presents Korean underground musicians (mostly in the band form) with their re-interpretation of famous Korean pops.
I thought this project has been quite a success, but this year, I was a bit disappointed and is worried if this would be the last. One interesting thing about this year's volume is a total lack of hip-hop. For the past two years, I found that there were a lot more hip-hop style bands included in the series. However, this year, it's mostly hard-/thresh-metal or somewhat off-beat pop. No, rap at all.
I don't know whether this was the goal of this project or whether hiphoppers weren't interested in this project, but I just find it odd. Maybe hiphop (not "pop hiphop") in Korea is no longer an underground genre. I don't particularly care for hiphop all that much, but I do like the element of the genre infused to others...
- Get Up by Electronic Gypsy
- IReumEopNeun Sae by Down in a Hole
- WoenSonJabI by Kyrie Eleison
- BiWa DangSinEui IYaGi by Gaia
- Tears by Holymarsh
- BaBoBeoSeu by Hooky Club
- SaRamDeulEun MoDu ByeonHaNa Bwa by Hazy
- Yet ChinGuEGye by Biuret
- Suddenly by Xman Club
- Neon NamI ANiYa by Rock Zetz
- ICheungESeo Bon GeoRi by Oathean
- GeuDdaen GeuRaetJi by Ghettobombs
- Nae MaEumE JuDanEul GgalGo by YiJeongWu Band
o. "sunny 16" by Ben Folds
This is the second EP. It also has five new tracks with one short extra track, which made me wonder if both were supposed to be combined as one full album. BTW, I am eagerly waiting his next full album.
Most of the people on this album seem to be from the other one as well. Another pretty good album by BF and friends.
Just noticed that I've been getting hit by msnbot/0.11 (131.107.137.x, it seems). It seems it started on October 6th, 2003, for me.
I guess they are getting serious about the search...
[I guess this extra-dimension subject is related to my previous articles on Peter Lynds and "divine" projection.]
I wondered about where those old articles I read when I was young about a three dimensional being visiting a lower dimensional world.
This somewhat inconsistent (in logical sense) mathematical fiction was supposed to be one of the first "science fiction" on dimension. This is a story about a two dimensional being, "A. Square," having dreams about visiting a one dimensional world, and being visited by a three dimensional being to realize the "limitation" of his own world.
I can understand about its historical significance, but there are too many inconsistency that it was a bit difficult to read through. Also, a lot of the concepts it tried to describe had become relatively "fundamental" that, for me, rather the concepts, the ways to keep things consistent within the story became more interesting (for example, as long as "A. Square" was completely a two dimensional being, he wouldn't be able to perceive the third spatial dimension).
Anyway, it was an interesting read to see where that genre of science fiction came from.
One thing reading the book made me think is that the most common conception about the time being the fourth dimension is quite absurd. As previous noted, "time" is more of a measure of changes (or highly associated with changes). Of course, it is an additional dimension. Any independent values can be one!
The thing is in a two spatial dimensional world (for that matter, any spatial dimensional worlds), the time dimension also exists. The time dimension is nothing special. So, it's pretty weird to treat the time as the same as the other spatial dimensions and to call the space-time continuum as a four dimensional world.
It seems it's much consistent to think of any order of spatial dimension and the time dimension as existing as a degree of changes in the states. Or something like that, I guess.
I do also understand that the dimension shouldn't necessarily be a spatial one. Any independent values can be one. Also, it's interesting to note that to describe what we call the three dimensional world we would definitely need many more dimensions than three.
